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剧情:
Inthebleakfilmscapeofglasnost,TheNeedlestoodoutasablacksheepofamovie.ThemostplayfulandoffbeatoftheSovietfilmsoftheperiod,itcontrastedsharplytothemainstream,whichwasoverwhelmedwithrevisionismoftheStalinistpastandnihilisticsocialcriticism.Madein1988byayoungKazakhdirector,RashidNugmanov,freshoutofVGIK(thenationalfilmschool),TheNeedlewasapioneeringeffortinseveralways.Havingefromaremote,stagnantrepublicofKazakhstan,thepicturesetoffamovementthathasetobeknownasthequot;KazakhNewWave.quot;RepresentedbysuchworksasAlexanderBaranov#39;sandBakhytKilibayev#39;sTheThree(1988)andWomanoftheDay(1990);Kilibayev#39;sTheTick(1990);Baranov#39;sHeandShe(1990);AbaiKarpykov#39;sLittleFishinLove(1989);andSerikAprymov#39;sTheLastStop(1989),theKazakhNewWavewasfortheagonizingSovietfilmofthelate1980swhattheFrenchNewWavewasforthedustyFrenchfilmofthelate1950s.TheNeedlewasthemovement#39;saboutdesouffle.ThefilmalsobecameamodelfortheRussianversionofpostmodernism—uninhibitedanduninformed,pensatingforthelackofculture,skill,andresourceswithmischiefandwit.AyoungmannamedMoro(playedbyViktorTsoi,thelaterock#39;n#39;rolllegendfromtheSt.Petersburgbandquot;Kinoquot;)returnstohisAsiatichometownonlytofindhisexgirlfriend,Dina(MarinaSmirnova),beingadrugaddictandhimselfbeinginvolvedinthebizarrelifeofthecity#39;sunderworld.InanattempttosaveDina,MorotakesherawaytotheAralSea,turnedintoabarrendesertbythetimetheyarrive.ThereDinaseemscured,butbackintowneverythingstartsanew.Almostdesperate,Morodecidestofightthedrugdealers,ledbyahospitaldoctor(playedbyanotherrock#39;n#39;rollstar,eccentricleaderofthequot;SoundofMuquot;bandandthefuturestarofTaxiBlues,PyotrMamonov),whenoneofthemstabshiminadesertedparkeee收起
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《让娜·迪尔曼》是一部怎样的电影呢?它是阿克曼1975年的一部长达三个半小时的电影,它又是一部著名的“女权主义”电影,它还是一部在形式与内容上都极富革命精神的电影。总之,阿克曼这位拍片数极少的比利时女
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